: The uncle in question is Frederick Altamount Cornwallis, Fifth Earl of Ickenham, better known as Uncle Fred, an old boy of such a sunny and youthful nature that explosions of sweetness and light detonate all around him (in the course, it must be said, of a plot that involves blackmail, impersonation, knock-out drops, stealing, arrests and potential jewel-smuggling).
: Lady Maud, the spirited young daughter of the Earl of Marshmoreton, is confined to her home, Belpher Castle in Hampshire, under aunt's orders because of an unfortunate infatuation. Enter our hero, George Bevan, an American who writes songs for musicals and is so smitten with Maud that he descends on Hampshire's rolling acres to see off his rival and claim her heart. Meanwhile, in the great Wodehousian tradition, the Earl of Marshmoreton just wants a quiet life pottering in his garden, supported by his portly butler Keggs and free from the demands of his bossy sister and his silly-ass son.
: The final Uncle Fred novel marks his return to Blandings Castle to relieve Lord Emsworth's woes: a nagging secretary, prankster Church Lads, and a plot to thieve his prize-winning sow. Uncle Fred must serve up his brand of sweetness and light to ensure that everything turns out very capital indeed.
: When the moon is full at Blandings, strange things happen: among them the commissioning of a portrait of The Empress, twice in succession winner in the Fat Pigs Class at the Shropshire Agricultural Show. What better choice of artist, in Lord Emsworth's opinion, than Landseer. The renowned painter of The Stag at Bay may have been dead for decades, but that doesn't prevent Galahad Threepwood from introducing him to the castle - or rather introducing Bill Lister, Gally's godson, so desperately in love with Prudence that he's determined to enter Blandings in yet another imposture.
: A Mulliner collectionIn the Angler's Rest, drinking hot scotch and lemon, sits one of Wodehouse's greatest raconteurs. Mr Mulliner, his vivid imagination lubricated by Miss Postlethwaite the barmaid, has fabulous stories to tell of the extraordinary behaviour of his far-flung family: in particular there's Wilfred, inventor of Raven Gypsy face-cream and Snow of the Mountain Lotion, who lights on the formula for Buck-U-Uppo, a tonic given to elephants to enable them to face tigers with the necessary nonchalance. Its explosive effects on a shy young curate and then the higher clergy is gravely revealed.
: eize this wonderful chance to embark on a Wodehousian voyage on the luxurious liner S.S. Atlantic - in the company of Monty Bodkin, whose passion for Gertrude Butterwick knows no bounds (except those set by the wild-at-heart Hollywood starlet Lotus Blossom and her pet alligator). Also aboard are a movie mogul, the centre-forward for the All-England ladies hockey team and the two Tennyson brothers (one of whom has been mistaken for the late poet laureate and given a fat movie contract...).
: Bertram Wooster's interminable banjolele playing has driven Jeeves, his otherwise steadfast gentleman's gentleman, to give notice. The foppish aristocrat cannot survive for long without his Shakespeare-quoting and problem-solving valet, however, and after a narrowly escaped forced marriage, a cottage fire, and a great butter theft, the celebrated literary odd couple are happy to return to the way things were.
: More stories about the incredible Mulliner clan, following on from Meet Mr Mulliner. This volume includes such classic Wodehouse tales as ‘The Man Who Gave Up Smoking’, ‘The Awful Gladness of the Mater’, ‘Unpleasantness at Bludleigh Court’ and ‘The Passing of Ambrose’.
: Château Blissac, on its hill above St Roque, is in a setting where every prospect pleases. But it doesn't please its current occupier, J. Wellington Gedge. Mr Gedge wants none of it - and particularly none of the domineering Mrs Gedge's imperious wish that he should become American Ambassador to Paris. Instead he pines for the simpler life of California, where men are men and filling stations stand tall.
: Who but P.G. Wodehouse could have extracted high comedy from the most noble and ancient game of golf? And who else could have combined this comedy with a real appreciation of the game, drawn from personal experience? Wodehouse's brilliant but human brand of humor is perfectly suited to these stories of love, rivalry, revenge, and fulfillment on the links.